VIDEOS includes short excerpts abridged from our workshops, tutorials and consultations that address the most commonly asked questions.
Tutorials Calibrating Printing Editing
Updated 14 December 2024.
THEORY
A brief extract from our 3DLUT Creator Master Class and working with colour symbolism based on the Itten colour wheel and the HSP Itten colour model, one of 16 colour models we can work with in the utterly remarkable 3DLUT Creator application. Last updated 2nd June 2019.
The misinterpretation of numerical readouts, especially between different applications is a frequently asked question that this video tries to address. Last updated 4th October 2023.
APPLICATION
One of the many attributes of LUT based colour correction is their resolution independence, which means the colour palette of almost anything can be sampled and used as the basis for colour rendering other images. Last updated 24th May 2023.
My presentation to the Colour Society of Australia on 8th June 2024 . The entire webinar including Q&As can be accessed in their Creating Colour series. Last updated 11 June 2024.
A short extract from our 3DLUT Creator workshop showcasing 3DLC’s A/B Grid and HSPne colour model as an analytical and profoundly creative tool, and in this case a problem-solving solution for harmoniously matching disparate skin tones. Last updated 6 December 2023.
A short extract from our Crafting a Digital Print workshop introducing the twelve most important techniques we use to breathe life, presence, and dimensionality into our images via Photoshop Actions or Affinity Photo Macros. Last updated 30 august 2023.
PRACTICE
The motivation to work with Brushes is not a given, for it is neither endemic nor necessary to photography. Brush Work therefore assumes a relationship with images as Objects, which is something entirely more than the autographic simulation of something else. Last updated 4th April 2023.
A friend’s question about Hue Re Mapping B&W Conversions prompted a discussion of 3DLUT Creator’s utterly remarkable and visually intuitive control of Tonal and Colour Compositions, and the ease with which ‘false colour renderings’ can be created. Last updated 21 April 2021.